Browsing articles from "December, 2013"

The Globe Announces 2014 Season!

Dec 5, 2013   //   by wpbanks   //   Theatre  //  Comments Off on The Globe Announces 2014 Season!

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Nothing says “great Christmas present” like the email from the Globe Theatre that their 2014 season has been announced.  This coming summer looks like a good one, full of violence, romance, and camp absurdity!

Summer opens with two of Shakespeare’s least read/produced plays: Titus Andronicus and Antony & CleopatraTitus is a problem play of sorts, not fitting in beautifully in any of the simple genres that school students learn (comedy, tragedy, history).  In truth, this is a bloody story of what happens to even the victorious after a war, as Titus returns from battle only to see his own family and state both crumble because of choices he can and cannot make. The darkness of the story keeps it away from most readers, which is also somewhat true of Antony & Cleopatra, a play whose long passages many nineteenth and early twentieth century school children would have learned and recited:

The barge she sat in, like a burnish’d throne,
Burned on the water: the poop was beaten gold;
Purple the sails, and so perfumed that
The winds were lovesick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar’d all description: she did lie In her pavilion, cloth-of-gold of tissue,
O’erpicturing that Venus where we see
The fancy outwork nature: on each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-colour’d fans, whose wind did seem
To glow the delicate cheeks which they did cool, And what they undid did.
At the heart of A&C is the conflicts of war, politics, and love … what’s not to love?
The “Renaissance” play in this year’s season is Julius Caesar, one of Shakespeare’s most enduring and well-known political plays. Each year, the Globe puts on at least one of the plays in the costuming and style of Shakespeare’s time, so this year’s JC won’t involve any fancy updates to staging, props, or costumes, but will surely be a fun play to watch.
Also exciting is the non-Shakespeare play this year: The Last Day of Troy follows the aftermath of the famous Trojan War, what happens between the end of Homer’s Iliad and the events that transpire in The Odyssey. It seems the Globe is most interested in war and its effects this year!
I don’t know about you, but I’m not sure which plays to choose? Perhaps we’ll have to go to all three …

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